I feel maybe the rougher, edgier it is, the more authentic it can be.” This is live TV, it shouldn’t really be as produced as perhaps it was in the past. I feel like that element needs to really be emphasized in wrestling. I also feel like maybe in the past we’ve been guilty of overproducing things and it doesn’t feel as natural… If I look back and watch an old WCW episode and there is a backstage scene, promo or beatdown, I’ll see people leave the building if they have already finished their match or enter the building if they haven’t performed yet. Any queries that you have can be dealt with very quickly and ironed out pretty smoothly. “Triple H is very hands-on in that respect and very easily accessible. I feel like that has certainly helped people stress less about the direction and focus more on executing the ideas as opposed to the ping-pong back and forth that was between all the different layers of management and creative writers and writers and writers’ assistants and writers’ assistants’ assistants’ assistants’ before you got an answer. But I feel like now the channels of communication are a lot more direct for everyone. “Sometimes it was very hard to get a straight answer or, at least, a straight answer in a short time, which is needed for live television. The way things were set up before there were many layers of management. Certainly the availability to exchange ideas and compromise and come to an agreement on something or just get a face-to-face explanation of what the direction is. For me, the most exciting thing is it feels more like a collaboration working with this new leadership. What Finn Balor is most excited about working under Triple H’s creative direction: “We obviously worked very closely together for a long time and both runs in NXT. Video footage available at SHAK Wrestling YouTube Page By Jason Powell, Editor ( Sports interview with Finn Balor
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